It feels like a Sunday - just watching a little tube in your friend’s living room - but earlier tonight, OutKast were fucking New York up. “Man,” Dre says, looking at snapshots of their career flashing by on the TV, “this shit is fucking me up.” He exudes a strong, humble star power, and his voice is as deep an intimate drawl in person as it is on record. Even in plain clothes, he commands attention without demanding it. Today, Dre’s lounging in a pair of green-and-white genie pants and a burgundy varsity-track-type jacket embroidered on the front with some toreador-style stitching. He is the consummate host, taking care of everyone’s needs while watching the perimeter. He’s smallish and solid, his hair weaved in braids, his clothes big, baggy gangsta-sports style, accessorized with subdued jewelry. “This is the first time we’ve got MTV play on something coming out the box.” He’s sitting at the coffee table, breaking up some of the finest-smelling stankonia this side of Amsterdam. “We got a little bit of play on ‘Rosa Parks,’ ” says Big Boi, referring to the video for the anthemic single that landed them a lawsuit in 1999 from the song’s namesake (the suit was dismissed earlier this year). Everyone laughs - genuinely amused - at his characterization of Stankonia as a land of purple grass (the kind you walk on) and Kabuki masks, both images in the “B.O.B.” video. The video for “B.O.B.” (“Bombs Over Baghdad”) comes on and Sway, the dreadlocked news guy on Direct Effect, is recounting the duo’s discography. In the room, as in the music and the group, there is a balance between freak and street. Over by the other side of the couch are Big Boi, the managers and Slim Cutta Calhoun, a kind of Atlanta Snoop Dogg who is the first signing to OutKast’s new label, Aquemini. At one point he rasps that his homeboy on the Buffalo Bills told him that OutKast’s new traffic-stopping, techno-laced single “B.O.B.” is the only video that the white players and black players will sit down and watch together. Perched on the couch next to him is OutKast protégé Killer Mike, a large, low-voiced rapper in big orange-lensed glasses who stays very still. Andre sits on the floor like a relaxed Buddha. The pair are cooling in their New York hotel with a few of their posse and their management team, watching an OutKast segment on Direct Effect (MTV’s new hip-hop TRL).
#Outkast stankonia images full#
Stankonia is full of acid-trip vocal effects, live instruments, Isley Brothers-style guitars and beats that range from skittering to bombastic. Why should the music sound better than I look?'”Īlong with the Goodie Mob and producers Organized Noize, OutKast have proved over the years that there is much more to Atlanta’s music scene than dirty-South booty beats. Three or four years ago, I remember him saying, ‘I just want to look like the music, man - as funky and exciting as the music. He’s on a level with Bootsy Collins and George Clinton. “Dre’s living a life with it,” says Rico Wade, the Organized Noize producer who has been on board from the beginning. He’s one of the few male MCs to have performed in a platinum wig (not to mention muumuus, shiny turbans, genie outfits, customized military uniforms, funked-up fur coats and other homespun psychedelic-pimp creations) without losing cred.
Andre is as interplanetary as Kool Keith and as earthbound as Grandmaster Flash. Andre and Big Boi have deftly married two sides of hip-hop: Andre’s way-out, third-eye consciousness harkens back to the freewheeling intellectualism of groups like Public Enemy and De La Soul, while Big Boi represents the streets and the gangsta tradition, albeit with a dose of conscience. It does not store any personal data.Stankonia is OutKast’s masterpiece - brainy, socially aware, flexible funk akin to Sly and the Family Stone’s 1971 opus, There’s a Riot Going On. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly.
(Bombs Over Baghdad) (Zack de la Rocha Remix)ģ0. Snoop Dogg & Sleepy Brown) (Stankonia Remix)Ģ7. Artists: Stankonia (Deluxe Version) (2020)Ħ.
0 kommentar(er)
